*MASSIVE SPOILERS AHEAD* It’s hard to overstate how much these films have meant to a significant portion of the population. Many of us literally grew up with these larger-than-life icons as a new pantheon of gods, not to be worshipped, but existing as a heightened form of aspirational achievement. Many of us grew up thumbing through pages of colorful comics, watching as these heroes fought fantastical battles against gods and humans alike. As a child of the 80s, only a handful of the most iconic heroes received even the most cursory glance from the mainstream, as only Superman and Batman possessed enough cache to achieve mainstream cinematic appeal. For many of us, an Avengers film was only a pipe dream, as only Spiderman on the Marvel side had enough muscle to break into the mainstream in the 90s. That all changed in 2008. I remember standing in CompUSA, a now defunct computer store, and watching the trailer for the original Iron Man movie. Even in that moment, an actual Avengers movie seemed like a near impossibility given all the moving parts involved. In addition, my favorite character in the comics, Captain America, had virtually no mainstream credibility, and had only been seen in the most ridiculous of B-Movies, with most people not having any idea who Steve Rogers was. And now, here we sit, more than a decade later, and what we once thought impossible has happened. Marvel has not only strung together an unprecedented level of quality across 22 films, but ended the entire saga in the most fulfilling way possible. Endgame is the culmination of over 70 years of Marvel storytelling in the comics, and more than a decade in film. That such an ending could ever hope to live up to the hype seemed absurd, and yet here we are, by all accounts having likely witnessed the greatest arc of movies in history, brought to a satisfying conclusion. For this review, I need not harp on the greatness of Robert Downey, Chris Evans, or Josh Brolin and the incredible depth they brought to their characters across this entire saga. Marvel’s casting has been impeccable and remains so here. LAST WARNING: SPOILERS AHEAD It’s incredible that this movies use a mechanism I hate with a burning passion and still succeeds: Time Travel. I absolutely despise when storytellers undo having written themselves into a corner by whipping out the old time travel trope and fixing everything. I started to hate it in this film as well once I realized that was the direction things headed after the early, shocking demise of current timeline Thanos. I still don’t buy their repeated explanations for quantum realms, divergent timelines and the like. Yet, this is the only storytelling mechanism I can think of that would allow for a suitably epic finale. Thanos retired and destroyed the stones, completely within his character. Any attempt to bring him back into the war after this action would have seemed fake and out of character. No, in order to bring forth armies and a final battle worthy of this film, only one thing could do it without poisoning the characters: time travel. So, for the purposes of the movie, one must set aside the obvious paradoxical scenarios that these situations bring about, and just have fun. One staggering scene after another, we see the characters lurching back and forth through time in alternate angles of scenes from the older movies. I couldn’t categorize the sheer amount of call backs and fan service moments if I had to, so suffice it say that each of these scenes is a joy to watch as they live through events from previous movies at different angles in an attempt to undo Thanos’ snap and bring back the half of the population he disintegrated. This all leads to numerous time bending shenanigans, which results in likely the most over the top insane battle ever put to screen. As expected, the CG effects and cinematography are top-notch, which leads me into the small criticisms of the film. They use the CG so heavily that it appears slightly synthetic, but given the scale of events that’s a serious nitpick. I already voiced my general displeasure with time travel, so I won’t belabor the point despite being able to pick out many timeline and sequencing problems. Another issue I had was with the appearances of Captain Marvel. She shows up as the ultimate badass in the first ten minutes, then disappears all the way until the finale where she shows up at the exact moment necessary to wreck Thanos’ plans. Another criticism that one might level at the film is that it’s too “fan-servicey” and by that I mean the film would be almost unwatchable to anyone not already invested in these characters and events. My last criticism would be on the portrayal of Thor. I can’t say I was a huge fan of turning him into trembling fat guy, but I guess the logic is that he’s experienced so much loss it finally broke him failing to stop Thanos. Despite a couple of characterizations I wasn’t a fan of, I couldn’t have been happier with the portrayal of both Tony Stark and Steve Rogers. The two were responsible for the biggest moments in the film, with the latter’s stellar moment producing an eruption of cheers in the theater. As a fan of Cap, I couldn’t have asked for a better send off than what he got, kicking ass, living happily ever after, and passing the shield on to the next generation. Tony’s arc was equally satisfying, starting out the MCU as the arrogant playboy prima donna, all the way up through alcoholism, and finally giving his life to save the world. They sent both of the iconic Avengers off in spectacular fashion, and it will be interesting to see how they are replaced going forward. Downey and Evans set the bar incredibly high, and I wouldn’t mind a few more time travel shenanigans to get the two back in the game at some point. While I’m here, I’ll address the big moment of Captain America lifting Mjolnir, Thor’s hammer. There seems to be some confusion how that was possible so I’ll outline it briefly. The enchantment specifically says: “Whoever wields this hammer, if they be worthy, shall possess the power of Thor.” So, the question of whether the hammer can be lifted becomes one of worthiness. We saw in Age of Ultron that Steve could shift, but not lift, the hammer. This leads to two conclusions: 1. He wasn’t worthy at the time given he still held onto the secret of the death of Tony’s father at the hands of Bucky. Once absolved of that secret, his worthiness was clear. 2. He was worthy, he just elected to not show off and bruise Thor’s ego in front many people at the party. Either way, this was a moment I was sure would happen, given he’s wielded the hammer multiple times in the comics, but it still came off as an incredible moment. All in all, if one is a fan of the Marvel universe, and given how much money it’s making that’s looking like an ever increasing colossal number, then this is the greatest finale possible for this arc. As a matter of fact, I have difficulty even imagining them topping Endgame, but then again, I can imagine quite a bit, especially with 70+ years of comic stories in the tank. Steve Mager If you enjoyed this article, please share it and follow me on social media: Facebook: www.facebook.com/StevenAMager Twitter: https://twitter.com/StevenAMager Instagram: https://www.instagram.com/steve_mager/ Get my book, Forging the Iron Mind: [https://amzn.to/2uxRvCs]
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*Spoiler Free*
Welcome to the next installment in Glorious or Garbage. This week we will look at a show that has been collecting accolades from all around the world. For the last week, my Twitter has been lit afire with glowing reviews, so I finally took the plunge to see if the hype is real. Quick answer: Yes, it is. Right out of the gate, TUC deals in two tropes that have been plundered for decades: the superhero team, and the ever popular school for misfits/powered individuals. It’s a remarkable achievement that the show manages to put unique spins on two of the most overused tropes in all of modern media. It would have been effortless, and lazy, to crap out a by-the-numbers X-Men knockoff, yet the Umbrella Academy succeeds where so many others have failed. First, let me extol the virtues of both the set and costume design. This show both looks and feels like a high budget, fully cinematic experience. I never thought I’d see the day that a tv show could achieve full cinematic parity in terms of effects, costuming, and set design of this level. Every shot is sculpted with care, evoking a unique vibe of retro futurism, steam punk, and modern styles all blending into one show that looks like nothing else. The effects on a character such as Pogo are operating at a level rarely seem on the small screen, matching the effects of a blockbuster film such as Planet of the Apes. Having heaped all of this praise, I will say there are a few moments I felt were overdone as though they were showing off, but that is a minor complaint next to the staggering levels of quality. Second, the characters and their motivations were operating at an extremely high level. From the drug-induced stupors and ranting of Klaus, to the parental struggles of Allison, these characters all bore depth and motivations, making their reasoning and decisions completely identifiable. Even the “side characters” such as Pogo and Cha-Cha appeared as real individuals, and not cardboard cutouts of tropes. My only complaint here would be Vanja, portrayed by Ellen Page. I realize aggressive blandness is part of the character, and being “ordinary” in a family full of powered individuals is her entire arc, but Page never seems to fully let go, even in moments of extreme emotions. A minor complaint to be sure, but one I noticed throughout. All told, it looks incredible, characters are brilliant, and the plot is a fun romp. If I were to level any criticisms, I would say several plot elements, that although executed brilliantly, were predictable. None of the twists even remotely caught me off guard, and I had the ending pegged within the first five episodes. Second, the inherent issues involving time travel that went somewhat unaddressed, such as minor butterfly effects that ripple forward into huge events, or other copies of oneself existing in different places. In any case, these negatives pale next to the overwhelmingly high level of quality throughout. Ultimately, The Umbrella Academy succeeds where many others settled into mediocrity. Exceptional characters, acting, and craftsmanship elevate this series to a level few modern shows, especially of the superhero/school variety, have reached. It seems every other show nowadays is attempting to play on these tropes, yet Umbrella Academy stands atop the heap as an exemplar of how to use these tropes to great effect, and craft them in a unique manner. Brilliant casting, effects, and above all, interesting elements place this show in the upper echelon of modern television, achieving full cinematic quality in the process. Verdict: Glorious Steve Mager If you enjoyed this article, please share it and follow me on social media: Facebook: www.facebook.com/StevenAMager Twitter: https://twitter.com/StevenAMager Instagram: https://www.instagram.com/steve_mager/ Get my book, Forging the Iron Mind: [https://amzn.to/2uxRvCs] We are now in the depths of winter, and desolation has set in for many of us. The days have grown short and bleak, and those of us in the northern hemisphere are settled in for the last weeks of the frigid winter. It is in this season, and the darkness it brings, that lends itself to horror movies. I wrote an article on dark music, which you can view here, so now I set my sights on the best the Horror genre has to offer. As our society becomes more and more desensitized to violence and the absurd, we continue to seek new ways to shock ourselves, and sometimes we do so using the vehicle of the horror film.
I know what it means to be petrified of a film. When I was approximately 13 years old, I had nightmares for days over the movie Dead and Buried, which I saw by sneaking over to a neighbor’s house, as I was forbidden to see movies like this at my young age. Years later, I have experienced hundreds of horror films, and I’ll do my best to bring the best of the best for you to experience this Halloween. For this article, I will restrict myself to the modern era of horror, which I identify as 2000-Present. We are undergoing a renaissance in horror, with the 2000s being absolutely packed with quality, delivered at an astounding rate. If you are curious about the finest Horror classics, there will be another forthcoming article covering those. For now, let’s look at the best of the best of this era, and I will also include an enormous amount of honorable mentions at the end, to ensure your nights are filled with terror. As you may expect, I would not recommend allowing children to watch any of these films, unless you like the idea of ruining their lives. 5. It Follows How does one devise a more unstoppable antagonist than even the Terminator? This movie answers that question with what has to be one of the more innovative concepts I’ve ever seen in a horror film. Setting up the characters, and the viewers with a sense of inevitability unmatched in modern cinema was a difficult challenge, but this film delivered in a big way. Combining a sense of dread with the requisite jump scares, It Follows has all the makings of a true classic. 4. Hereditary I believe we will consider this film an all-time classic 30 years from now, on the level of the Exorcist or Shining. It takes a great deal to shock me, and Hereditary gave me chills more than once. This is a near perfect film, that delivers fantastic acting, cinematography, and plot structure. The run time is slightly long, but overall, this movie delivers in a way few films can. It is a travesty that Toni Collette won virtually no awards for her role, as it is likely the greatest performance by a female lead in the history of horror. This is a film that will burrow into your head, and you will find yourself days later pondering the themes and elements of the plot. 3. The Babadook The ridiculous name alone almost made me miss this modern classic. I prejudged it based on that, and I couldn’t have been more wrong. A master class in psychological horror of a family under duress where you can’t be sure what is real and what is not. Bringing a nightmarish children’s tale into real life without being ludicrous brings a lot of challenge, but the filmmakers brought their A game and delivered what is sure to be an all-time classic. Is a true tale of the supernatural, or a commentary on mental health issues? 2. The Descent One of the most notorious and over used horror tropes is the “Final Girl.” Nearly every horror movies last survivor is a young female. So, what happens if the entire cast are young females caught in a claustrophobic cave diving expedition? Original location and themes, great cast, innovative plot, and brutal gore propel the Descent into the pantheon of modern classic horror movies. I can assure you spelunking will likely never be a hobby you pursue after watching this film. 1. The Witch “Wouldst thou like to live...deliciously?” My favorite horror film of the past 40 years. I would have to go back to 1977 and older to find a horror film I hold in the same esteem as this Robert Eggers masterpiece. The only horror film on this list to which I give a perfect score, The Witch is the only film I cannot even imagine a change one could make to improve it, and believe me, I can imagine quite a bit. A folk tale set in 1600s New England, the Witch brings unmatched historical accuracy in dialect, beliefs, clothing, and even in processes such as construction and survival techniques. This, coupled with impeccable directing, acting, and cinematography sets the Witch alone at the top of the heap in modern horror. Honorable Mentions: The Devil’s Candy - Heavy metal darkness, nearly made the list. Texas Chainsaw Massacre 2003: Excellent Remake. Texas Chainsaw: The Beginning: First rate slasher film. 28 Days Later: Changed the Zombie film forever. Evil Dead Remake: Best remake ever, I prefer it to the original. Train to Busan: Best Zombie film of the modern era. Wolf Creek 1 & 2: Crocodile Dundee meets Friday the 13th. Amazing. The Conjuring: Nearly made the list, near flawless execution. Get Out: Great concept by Jordan Peele. Martyrs: Most disturbing film of the modern era. Might make you sick. Cabin in the Woods: Incredible spin on horror tropes. The Strangers: Top tier modern slasher movie. Hell House LLC: One of the best “found footage” films ever. There you have it: all the firepower needed to give yourself and loved ones nightmares for quite some time. Horror is highly subjective, so even if you do not agree with my list above, the Honorable Mentions are sure to have enough for you to produce your own Top 5. Settle in and get cozy in the final weeks of winter, and see if you can shock your system. Let me know if I missed anything, and fire your favorites at me on social media! Steve Mager If you enjoyed this article, please share it and follow me on social media: Facebook: www.facebook.com/StevenAMager Twitter: https://twitter.com/StevenAMager Instagram: https://www.instagram.com/steve_mager/ Get my book, Forging the Iron Mind: [https://amzn.to/2uxRvCs] Well, here we are, if you are reading this, then you survived another year filled with a lot Garbage, but also the Glorious. 2018 was filled with absurdities, triumphs, and failures of epic proportions. So without further ado, let’s take a look at the Best and Worst of 2018.
Worst Technology that People Think Is Awesome: Virtual Reality Make absolutely no mistake: Virtual Reality is the future. In our lifetimes, we will likely see Virtual Reality ruin all of our lives, as it will eventually make heroin addiction look like aspirin. Once the tech gets sufficiently powerful, miniaturized, and cost-effective, it will make the worst Black Mirror episode look like a documentary. However, right now, it is utter garbage. Far too bulky and underpowered, it makes for a decent tech demo, but it’s nowhere close to the soul-crushing juggernaut it will eventually become. All Sports are Terrible, except the NHL Yes, all of them. This has been happening over time, but now it seems that all of the soul has been sucked out of sports. The rules are such now that even a minor celebration will get you excommunicated. If you play defense, and you even fart in the direction of an offensive player, you’ll get penalties so harsh you’ll rethink your life. Let me tell you all something: If Dan Marino had played in this NFL era, people would think he cut a deal with the devil over what he’d be doing to the NFL. Then on top of all of this, we now have NBA coaches lecturing us and telling us what bad people we are. Sports used to be the one escape from politics, and now even they have been tainted. There is still one bastion of hope: the NHL. They still fight, you can still play real defense, and there’s virtually no downtime to check the replay booth every two minutes. The Death List We lost a lot of true icons this year, from Aretha Franklin, Stan Lee, R. Lee Ermey, to Stephen Hawking. Nowhere near a complete list, 2018 was brutal on cultural icons. Apple and the Curious Case of Bending iPads Only Apple could have even tried to defend this and still be in business. Any other company on the planet would have been destroyed over even attempting to say tablets arriving bent wasn’t a problem. When the iPhone had the bending issue, they didn’t deny it, but this time, they were outright like “Yeah this is Ok.” They’ve since offered exchanges, but the unmitigated hubris of a company to even try this was unbelievable. Apple also gets another ding for App Store censorship, removing completely historically accurate strategy games from the App Store. Worst Entertainment Change: Comedy Comedy has been awful for a while, at least since 2008, but 2018 comedy is horrific. So sterile and boring comedy has become, that I could not even name one single good comedic performance, either on TV, in the Movies, or stand up. Embarrassingly abysmal and devoid of any edge, comedians turned to the same recycled Trump jokes over and over. George Carlin and Richard Pryor would be apoplectic over 2018 comedy. I’ll say it now: the last good comedy movie was 2008’s Tropic Thunder. The winner of the Worst of the Year: Politics All of the items mentioned above combined aren’t even 1% as bad the current political landscape. Relationships destroyed, families broken, real-life harassment and assault, 2018 has got to be the worst year in politics of my lifetime, and it shows no sign of ending anytime soon. Now that we’ve slogged through the Garbage let us move onto the Best of 2018. Marvel still Crushing the World Black Panther, Avengers, Ant-Man, Deadpool, and Daredevil. Yet another year of not only dominance but excellence. The Marvel Juggernaut rolls on, with no sign of stopping, and I love it all. Hereditary and Horror Delivering Classics I love horror, and 2018 was scintillating. Hereditary will go down as one of the greatest of all time, and we saw a litany of incredible horror movies such as Upgrade, Halloween, A Quiet Place, Mandy, Suspiria, Annihilation, and Revenge. That, by the way, is nowhere near a complete list. As a horror fan, this year was as great as any before, and one of the few genres to show innovation and take risks. God of War Reinvents, and Dominates God of War 3 is one of my favorite games of all time. When I found out they completely ditched the gameplay style I was ready to hate, but boy did they deliver. To change a great existing franchise to this degree, and hit a grand slam the way that they did, elevates this to Game of the Year, easily. Also, Red Dead Redemption 2 is overrated. Cobra Kai brings back the Karate Kid, and somehow doesn’t suck. I generally hate reboots and bringing back old franchises, but I have to admit, Cobra Kai was incredible. Every studio on earth should take note, this is how a reboot/remake/modern sequel should be done, and was one of the best TV shows of the year. Best Promotional Stunt of All Time IHOB. International House of Burgers. I am completely serious when I say that I have never seen a better promotional stunt in my life. They got the entire country talking for days and basically did it for free. I doubt we will ever see a better-executed promotion in our lifetime. People acted like they hated it, but it generated talk and controversy. And controversy creates cash. Well done. Best Use of Technology: Space X launches a car into space. Yeah, we got more rovers on Mars and whatnot, but how do you top Space X launching a freaking Tesla car into outer space, and returning successfully? You don’t, which is why this is on the list. I don’t know about the rest of you, but I’m ready to colonize Mars. Unfortunately, this won’t happen in my lifetime, so I’ll settle for launching cars into space. So there you have it, My list of the Glorious and the Garbage of 2018. For myself, it was pretty good, I wrote one book and published it, and finished the first draft of another, and got into better shape than I’ve been in 20 years. 2019 is going to be wild, so buckle up. What were your best and worst of 2018? Let me know! Steve Mager If you enjoyed this article, please share it and follow me on social media: Facebook: www.facebook.com/StevenAMager Twitter: https://twitter.com/StevenAMager Instagram: https://www.instagram.com/steve_mager/ Get my book, Forging the Iron Mind: [https://amzn.to/2uxRvCs] Hello, and welcome to the first in my review series entitled:
Glorious or Garbage? We have a lot of choices these days in the entertainment we consume, be it movies, games, or books. We are living in the Golden Age of entertainment, in the sense that collectively, there is a nearly limitless amount of high-quality material for us to consume. Thus, in my opinion, there is no reason for us to be consuming anything mediocre; therefore we can do away with rating systems entirely. To me, there is no gray area, something is either utterly incredible i.e. GLORIOUS, and worth my time, or it is GARBAGE, and should be relegated to the dustbin of history. In addition, I do not even believe in falling into a life of consumption only, driving from game to game, or movie to movie. It is important to stay creative, active, and mindful of where our energy is going. Therefore, we should all be incredibly discriminating on the things we allow into our lives. So, without further ado, let’s see if Eternal is Glorious or Garbage. A little background, I played both Magic and Hearthstone for many years, achieving a Top 8 at a Pro Tour Qualifier and Legend rank in Hearthstone. I am not a professional, but I have some experience with these games, and wrote about them in my book. Eternal is a Collectible Card Game (CCG) in the vein of Magic the Gathering, Hearthstone, and Artifact. It is developed by Dire Wolf, who also originally designed The Elder Scrolls: Legends CCG, before passing the mantle for that game back to Bethesda. The first thing one notices upon getting started with Eternal, is that it has a unique setting: the world of Myria, home to all sorts of craziness such as gunslinger mages with magical bullets straight out of a western movie, Yetis that pack snowballs with rocks, flying bears and snakes, and all manner of lunacy. The second thing you notice is the striking similarities to Magic the Gathering, as the cards have many similar skills, just renamed to something different, such as Trample in Magic being Overwhelm in Eternal. Also, it shares a few things with Hearthstone as well, such as the ability of your hero to attack, and several mechanics that leverage the digital nature of the game, that really wouldn’t be possible with paper cards. The more I played, the more striking the difference between the CCGs became. Magic and Hearthstone have ruled the paper and digital space for CCGs for some time now, and are vastly different. Hearthstone brings a far simpler design (which in many ways is an advantage) and a far more comedic tone, with goofy dialogue and situations happening nearly every turn. Magic, on the other hand, just turned 25 years old and has settled into a more serious tone. The art, gameplay design, and worlds are far less crazy than they used to be, and the comedy aspect is mostly removed. I remember when Magic used to have cards like Might of Oaks, with art depicting an enormous squirrel towering over the trees, and at one point there was actually a squirrel deck you could make. Lead designer for Magic, Mark Rosewater, has said many times that they are likely not bringing back some of the sillier aspects of Magic, and in addition, have adopted a more technical art style, with some of the more comedic and abstract offerings of days past being largely gone. Eternal slides right in between the two CCG juggernauts in several highly effective ways. One, it is far more complex than Hearthstone, and in a lot of ways, more complex than Magic, yet in some ways, is easier to understand. For example, in Magic tournaments you have a what is known as a sideboard, a collection of cards you may add to your deck after the first game in a best out of three format, to help against that particular matchup. Eternal has something similar, called Markets, except for one thing: they can be accessed in the middle of a game via Merchants, which allows for incredible gameplay and decision making by the player. I’d also point out that Eternal sports five colors, just like Magic, but the combinations are far more varied than they are in that game. Having 3-4 deck archetypes in one faction is plausible. For example, Rakano, which would be equivalent to the Boros faction in Magic, has at 3-4 serious competitive variations at any given time, which allows for an incredibly diverse metagame. The second thing you notice is how far outside the box the design gets. There are an incredible amount of cards that are just absolutely crazy that scream for you to make a deck around them for fun. Even though there have only been five sets as of this writing, there are more cards that are completely out of left field than the last 10+ years of Magic and Hearthstone combined. You will find yourself finding completely absurd combinations constantly, and card after card that you want to build an entire strategy around. Whether it is summoning the Four Horsemen, a gun that one shots an opponent, a board full of sand wurms, or crawling through the Argenport sewers at night with rats, the flavor and gameplay are nearly endless. For me, I loved the Yeti, a feral band of semi-humanoids that live in the mountains. With names such as Wump, Thudrock, Chunk Chunk, Crunch, and of course, Pok Pok, it’s endlessly hilarious to hear them talk in yeti gibberish, pack snowballs with rocks, and swarm over other players. There is also Praxis guitarist Diogo Malaga, who hits a heavy metal riff when he lands on the board. It’s funnier than Magic, but it also isn’t a complete comedy like Hearthstone. Third, they have done a great job at balancing, tweaking, and preventing many flaws in CCG games past. One of the problems inherent to card games is the randomness creating bad draws, especially in Magic’s mana system. Eternal has a similar system but has found many unique ways such as the mechanics Pledge and Transmute, to alleviate mana screw and flood, two of the most frustrating aspects of Magic. Also, being the digital format, they can alter problematic cards instantly, in a way that Magic simply cannot. Also, sometimes in card games, it feels as if you aren’t in control, that the game develops the way that it does and there is little you could have done to alter the outcome. In Eternal, there are numerous lines of decisions that can meaningfully alter the course of a game, such as the Markets mentioned above, but also others, such as the new Sites that present multiple meaningful choices in a row. I would also note that the Free To Play element of Eternal is done quite well, as you get a generous amount of gold and packs for playing. Magic and Hearthstone are both iconic, marvelous games. I still play Magic from time to time, but make no mistake, Eternal is up there with the best of them, and is undoubtedly Glorious, but more than that it is worth your time, which in this day and age is a high compliment. Steve Mager If you enjoyed this article, please share it and follow me on social media: Facebook: www.facebook.com/StevenAMager Twitter: https://twitter.com/StevenAMager Instagram: https://www.instagram.com/steve_mager/ Get my book, Forging the Iron Mind: [https://amzn.to/2uxRvCs] |
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